The following bit of Lore dump and insanity was brought to you by BDC It was one of those classic moments. The DM takes a player to the side to roleplay an important scene. In this instance, a new character that had only had two sessions gets caught up in a regional conflict between valiantContinue reading “Character Reference: Can even a fiend be redeemed?”
A Pyre Elemental can be summoned only during a time of great mourning. Celebrations like the Feast of the Moon are perfect times while the good people of the hosting city accept the grieving from many different kingdoms. It is traditionally part of the Feast where the dead are remembered and celebrated. But within thisContinue reading “Dread Elementals: The Pyre”
Bards of this college learned long ago that if you want more people to pay attention and listen, the easiest way to make that happen is to force them to listen. Using their voices or instruments they have learned to perfect the frequencies that they project. These frequencies creep into the mind of those that hear it and slowly chokes out all other thoughts.
What comes to mind when I bring up the class: Bard? Most times we see an extrovert troubadour obnoxiously making time with anything that moves all the while playing the songs that not only make the girls cry, but inspires the party to fight harder and their enemies to wimp out and run in fear.Continue reading “In a different class: Bards are more than a song”
As a small town in the rolling hills goes about it’s normal day, people come and go. The smells of bread and forges fills the air and sounds of the market rings through the town. As the people go forward with their day, they all slowly begin to stop and look around. The faint sound of drums and cheers echo over the hills. The town guard runs to the makeshift walls fearing the worst, but are met with colorful tents being put up and ribbons flying in the wind. The people there were dancing and singing and beating their drums.
It’s the state of D&D these days that we sit in the balance of vastly different views of what it all actually is. Nothing is more indicative of this than a recent tweet by Dragonlance tomeist, Tracy Hickman. The top pic is a portrait of the second season of the critical Role characters with the words ‘Reject Modernity’ plastered over it. Under it is a picture of Dragonlance characters with ‘Embrace Tradition’. Now, although he’s taken it down and made clear his love of all eras of D&D, it stands indicative of an undercurrent of malcontent between two sides of a great divide concerning our favorite RPG.
It seems to be the debate of the ages. The argument between railroading and free choice. That difference between a linear adventure and an amazing open world campaign. The fact is that somewhere between these ideas is what we actually call Dungeons & Dragons or more widely, the RPG.
What starts here will probably continue into a series of articles; laying out an investigation I did when studying the varying courts of the Fey. It was not my intention to get stuck down the rabbit hole of this particular Fey Goddess, but, as it is with most of my obsessive research, it was as inevitable as it was impossibly deep. This is the chronicles of a deep dive that I have not returned fully from yet.
What started as a well-meant life as a monk, did not go as planned…I mean, the liquor was always good. And I became quite adept with my fists. But the best part was the illusion that I, my two compatriots and the master were just a pack of Kenku drunks.
After last weeks venture into storytelling and game suggestion (check out our article-Hags: Love, Nature and Destiny), we discussed the Mother of all Hags (literally), Cegilune, and mentioned that she would be a great patron for a warlock. As a part of developing The Magic Tavern’s next book, CONSTRUCTIVE CONSTRUCTS: SCARECROWS, I’ve done some extensiveContinue reading “Warlock Patron: Hags and Covens”